Expanded Horizons: The Asian Cultural Council Announces 2025 Grant Recipients

ACC 2025 grant recipients from left to right: Xiao-Xiong Zhang, Joyce Sahagun Garcia, Tsai Yi-Wei, Caro Chan, Donn Holohan, and Serene Hu.

In a cultural moment marked by dissonance and displacement, the Asian Cultural Council (ACC) has chosen a different register: one of attunement, listening, and the long arc of exchange. This month, the New York-based nonprofit announced its 2025 Asia Grant Cycle recipients: 37 artists, curators, architects, scholars, and choreographers whose practices reimagine movement, language, and the soft power of presence across geographic and disciplinary lines. The total disbursement, $920,371, signals financial support and a deliberate investment in the promise of cultural reciprocity.

Since its founding in 1963, ACC has offered more than funding; it has offered time, space, and context. It has supported over 6,000 exchanges in 26 countries, with the idiosyncratic understanding that a meaningful artistic inquiry often requires stepping into the unknown. What distinguishes the ACC model is its refusal to instrumentalize culture as output. Here, culture is not produced but lived.

This year’s cohort comprises 16 New York Fellows, 18 Individual Fellows, and three Graduate Fellows, all selected for projects that span street photography, speculative puppetry, vernacular architecture, and cross border dramaturgy. If the geography is transnational, the methodology is equally expansive: immersive residencies, field research, artistic collaborations, and independent inquiry that push against the limits of form and habit.

The New York Fellowship, ACC’s flagship immersion program, invites artists from Asia to live and work in New York for six months, offering not just proximity to the city’s cultural institutions but, more crucially, to its frictions and flux. For visual artist I Hsuen Chen (Taiwan ROC), whose practice pivots between performance, installation, and photography, the city becomes both subject and foil, a space to interrogate … Click here to read more

Art Review City

In the Flow of the Spirit

“In the Flow of the Spirit”: Iutian Tsai’s sculptures balance people’s inner souls and outer lives, bringing them back to their original intention of being human. Tsai is a sculptor who uses his art to help people find their inner balance. His oversized sculptures can be seen in many significant buildings in Taiwan. Tsai’s creations are inspired by water, which represents natural healing, harmony, and calm in Eastern philosophy. Water possesses a quiet power endowed by nature, awakening the world to return to its original pure heart.

“Flow with Spirit of Water”, mirror-finished stainless steel, 20 x 26 x 16 ft | 6 x 8 x 5 m, 2019 

In the Western world, people also seek the tranquility of water. They go to lakefront cottages for vacations, suspend all distracting thoughts, and focus on the peace that water brings. Some people have ponds in their backyards; others buy Japanese-style interior decorations with flowing water. One of the most famous buildings in the United States, Fallingwater, is a Frank Lloyd Wright design that brings the waterfall of nature into the Kaufmann family home’s living room. Water energy is believed to make people most peaceful, aiding in recovering from a complicated and busy life to a state of harmonious enjoyment. There is also a power to water in Eastern philosophy, such as the power of flexibility and the magic of gentleness. When there is no way across, water finds a way around. Hence, we often see Japanese-style gardens with the tranquil sound of water flow.

Iutian Tsai is an artist hailing from Taiwan. After graduating from the Fine Arts Department at Tunghai University, he dedicated himself to public construction management. In Taiwan, the government encouraged integrating public art into building construction and development. This led him … Click here to read more

Lily Kostrzewa