Category: Q&A

Bobbie Moline-Kramer

Artist Q&A with Bobbie Moline-Kramer

Bobbie Moline-Kramer was born in Fort Madison, Iowa, in 1946, and is now based in California. She traces her interest in art to a course she took at a local community college with Conceptual art pioneer John Baldessari, and to assistant work she did with Allan Kaprow, the originator of “Happenings.” As a painter, Moline-Kramer has pioneered a unique fusion of hyperrealism and gestural abstraction; she has also worked in mixed media. Drawing on personal narrative alongside art-historical reference, she has produced several distinct series while maintaining a deliberate compositional heterogeneity. Moline-Kramer teaches oil painting and is an adjunct professor at California State University, Long Beach.

“American Shunga, Zen Sensual”, oil paint, colored gesso, graphite on handmade Japanese paper, 40 x 60 in | 102 x 152 cm, 2018

How did you become a professional artist?

 Initially I became an artist because I was good at it, thus getting lots of praise from assorted adults. Then as I became older, I magically fell in love with both the concepts and the processes of making art. To this day, facing a blank surface still excites me with its unlimited possibilities.

What are the influences and inspirations in your work?

My latest series American Shunga celebrates both life and love. 2020’s lockdown was for me a time of paring the extemporaneous with a rediscovery of the essence of living…love.  Of the importance of the combination of love and spirituality in trying to achieve the ultimate in love, a Greek/Christian concept called agape. Agape love is a selfless, sacrificial, unconditional love which I think I captured in a delicate piece that’s part Tales of Adjusted Desire online at Robert Berry Gallery.

Bobbie Moline-Kramer, photo by Tim Janssens.

How is your work different than everything else out there?

Since being an artist doesn’t pay the bills, … Click here to read more

Aurora Robson

Lily Kostrzewa speaks with Aurora Robson

Aurora Robson is a multi-media artist known predominantly for her meditative work intercepting the plastic waste stream. Her practice is about subjugating negativity and shifting trajectories. Her work is a formal meditation on recurring nightmares she had as a child which she hybridizes with forms found in nature. Robson was born in Toronto in 1972 and grew up in Hawaii. She lived and worked in New York City for over two decades during which time she studied art history and visual arts at Columbia University. Recently, Robson moved to the Hudson Valley to raise her two daughters with her husband Marshall Coles.

Installation view of Remnant Romance Environmental Works: Idelle Weber and Aurora Robson.
Courtesy of Hollis Taggart.

Because of my personal interest in female artists, I took the opportunity to interview the environmental artist Aurora Robson regarding her recent two-person exhibition at Hollis Taggart Gallery with her collaborator the late environmental realistic painter Idelle Weber (1932-2020).  Aurora Robson uses mostly plastic waste debris as her main medium to create her artworks. For her, plastic waste materials’ effect on the environment is of crucial concern. This concern is evidenced by her powerful and often colorful artistic representations. 

As a recipient of a National Endowment of the Arts grant, she worked at Penn State University to develop an exhibition with plastic waste debris. Her work there solidified in her what I call the four Rs – reduce, reuse, recycle, and rethink. 

One might wonder what plastic waste debris has to do with fine art. Well, as it almost always happens, artistic representations are a most powerful form of education. For me, Aurora’s Creations are impactful yet attractive. 

As I talked with her, I started with her making process. She first explained that color was important … Click here to read more

David Carbone

Artist Q&A with David Carbone

David Carbone,  Professor Emeritus of Painting and Drawing in the Department of Art and Art History, University at Albany, SUNY, received his B.F.A. at the School of the Museum of Fine Arts/Tufts University. He also spent a summer in Maine at the Skowhegan School, and later, earned his M.F.A. at Brooklyn College. He has studied with T. Lux Feininger, Henry Schwartz, Jan Cox, Barnet Rubinstein, Gabriel Laderman, Lee Bontecou, Jacob Lawrence, Jimmy Ernst, Carl Holty, Harry Holtzman, Joseph Groell, Philip Pearlstein, Alfred Russell, and Sylvia Stone. Carbone has had seven one-person exhibitions including shows at Boston’s Institute of Contemporary Art, Zoe Gallery, Boston, David Brown Gallery, Provincetown, and Hackett-Freedman Gallery, San Francisco. He is a painter, critic, and curator living in New York City. He has shown his work across the country and written for various print and online publications.

“Neither Out Far Nor In Deep”, oil on canvas, 42 x 70 in | 102 x 178 cm, 2021

Who is your favorite artist of all time?

Really, is there anything duller than an artist talking about their love of a famous artist—we all know too well: Leonardo, Piero, or Vermeer! Yes, they are all worthy. Perhaps, having a favorite artist may even be dangerous? Often, it points to a limited experience of art or worse to a limited capacity to respond to the varieties of human experience. For me, much of the value of a life in art is found in a conversation between works of art. Art, even when it is buoyant and joyous, is a matter of contemplation and meditation; I always look toward what is hidden in plain sight.

How did you become a professional artist?

Did I have a choice? Not that my parents wanted me to become an artist; it isn’t an easy career by any … Click here to read more