Through COVID cocoon, acclaimed Japanese artist Ogino brings a new perspective to NYC
“My painting is so to say an accumulation of questions about different elements, forming many layers.” – Yuna Ogino
Artist Yuna Ogino is one of the most acclaimed artists of the new generation of Japanese artists. By developing a distinctively striking style, her works have been presented in numerous solo and group exhibitions. Yuna Ogino (born 1982, Tokyo, Japan) lives and works in Tokyo. Besides traditional medium, the multi-talented artist has also expanded her boundaries beyond painting by expressing artistic value into textiles, books, and performances. Yuna’s innovative style has been awarded and praised in public collections and spaces. With inspirations from ikebana flower arrangements and Japanese gardens, she weaves lights and colors onto the blank canvas, bringing to life her thoughts and memories. If you have followed her work, you know her painting technique is full of joyful color and intriguing lines that represent both the strength and vulnerability of plants and insects. She turns metaphorical representation to maternal richness with a refined design that continues a gorgeous tradition of Japanese decorative society.
But the COVID-19 imprisoning experience was turning Ogino to a new dimension and forcing her to see human struggle in the whole. The outbreak forced her stay at home life to become a central focus, with little emotional connection to allow her to see humanity and suffering without gender, age, and race. This newfound understanding of we (the whole world) are all suffering under the pandemic changed her palette and inspired her to produce figurative oil paintings in a 7-foot-high canvas. They are debuted at Mizuma & Kips Gallery (324 Grand Street, New York, NY, November 10th – December 7th, … Click here to read more
Kaoruko’s painting process pays homage to both traditional and contemporary Japanese artistic methodologies by using water-based paint (acrylic), gold leaf, sumi-e (traditional calligraphy techniques), ukiyo-e (traditional Japanese woodblock prints) and silkscreened kimono patterns on canvas. By juxtaposing all these similar yet separate elements, Kaoruko weaves together narratives of the young and old, the bourgeoning and bygone to deliver poignant paintings that straddle cultural, sexual and geographic beliefs and stereotypes of feminine identity at a crucial time that is rewriting the narrative on what it is to be female both here and abroad.
Who is your favorite artist of all time?
How did you become a professional artist?
I was a Japanese pop singer when I was a teenager. Based on my experience of playing the “kawaii (pretty/cute)” character in Japan, I still keep expressing the beauty of women in the art world.
What are the influences and inspirations in your work?
I am currently inspired by the unique Japanese traditional crafts such as “Washi”, traditional Japanese paper, “Aizome”, Japanese indigo dye, and “Arita-yaki”, Japanese porcelain.
How is your work different than everything else out there?
I incorporate the Japanese culture, like Japanese paintings and manga with my works. I use a method of drawing in 2D with a “Mensoufude”, fine pointed brushes and using a 200-year-old kimono pattern into a silk screen to make it look like a collage.
When is a piece finished for you?
When I start drawing my work, my inspiration talks to me. Coincidence calls for the chance. Various colors and ideas are born by that voice. When the conversation stops, I finish the work.