Club Cementerio

Julia San Martín solo show: Proyectos Proyectos Raúl Zamudio / Empty Circle NYC

Proyectos Proyectos Raúl Zamudio / Empty Circle NYC presents the solo exhibition Club Cementerio by Julia San Martin, curated by Raúl Zamudio, director of said space. It is a multimedia show that includes painting, drawing, video, sculpture, and textile interventions.

The artist began to develop the concept of “Club Cementerio” in 2020 amid COVID-19, riots, and social demonstrations in different parts of the world, especially in her native Chile, where she was at that time. Around the world, in an act of weariness, hundreds, perhaps thousands of monuments have been torn down; the hero, the explorer, the conqueror, the white and masculine victor, who swarms in history, in particular of Art (with capital A) suddenly lost its pedestal, and its head. It is almost unbelievable that it took hundreds of years to take a pair of ropes and throw them to the ground. That Club Cementerio of San Martín is made up of a whole context of daily and historical violence. In this way, the works that are part of the exhibition are scathing laughter from those who have experienced, in their own flesh, the systematic voracity of colonial and capitalist thought.

Julia San Martin has extensive knowledge of the history of Western art, the periods, the systems of representation, and the characters. She also has academic training in various traditional drawing and painting techniques; those skills “can make her as uncomfortable” as an acquired vice that is difficult to break. Like the majority of her work, the Empty Circle show is self-referential and consists mainly of self-portraits, heroines who make fun of themselves, of their social status, gender, or race. Structural violence on the body of non-white women is present in … Click here to read more

Sam Jackson

Artist Q&A with Sam Jackson

Sam Jackson’s approach to painting, digital media, and print combines subject matter that defies straightforward interpretation. The process of exploring how originality is captured and the aesthetics of its significance is a central theme of his practice. The do-it-yourself attitudes, homemade and amateur painting techniques, fantasy, excess, youth culture, violence, Baroque and Renaissance painting are all part of Jackson’s oeuvre. These urgencies are embedded in the painting’s application, growing into portraits or figures hewn with textual recalls. Medium and message are both extrapolated as a ground for further discoveries in painting, whereby paint is applied, translated, and governed by an intensity of appearance and reference. Mainstream culture, encouraged by evermore open media coverage, its absorption into high street fashion, investigations into compositional harmony, atmosphere, and the handling of paint, the ancient and the modern are strategized hybridity that are collective meditations on how contemporary painting is an oscillation between the textual and the symbolically real.

*One Of Us Must Know*, oil, ink, and spray paint on board, 8 x 7 in | 20 x 17 cm, 2022

Who is your favorite artist of all time?

Caravaggio, I have always been fascinated by the use of the spiritual, religious, and subversion coming together in an emotional drama on the canvass.

How did you become a professional artist?

I was fascinated by art and painting from a young age. I was taken to a Lucien Freud exhibition aged nine and found the images fascinating and odd. Somehow, I could see that in painting, you could express something beyond words that were emotional in some way and really made me want to be an artist. So, after graduating from the Royal Academy for my postgraduate studies in 2003, I was picked up and started my ongoing relationship and representation … Click here to read more

Luis Cortez

Reality is a Constant Becoming

Luis Cortés, a sculptor from Zaragoza who lives in Barcelona, has spent years investigating movement through his articulated sculptures, a series made up mostly of small minimalist sculptures with pure shapes, representing different animals, such as the horse, the elephant, or the whale. However, he has also studied the human figure and the hand. In Luis Cortés’ sculptures, you can observe a part of scientific research, and the artist investigates movement carefully. Each of his sculptures is made with a different number of wooden pieces, all of them with geometric shapes. These pieces are linked together through pivot points, thus allowing movement.

In Barcelona, Spain, the presence of exceptional creativity and imagination is around every corner, where artists like Gaudi, Picasso, Miro, and Dali once resided. I was lucky enough to visit Luis Cortes’ art studio, where I wandered around like a child in a Toyland. I was fascinated by his geometrical jigsaw puzzles that turn into motion sculptures.

Animals, plants and ultimately all living beings are important examples of morphological changes, their displacement, and relationships with other beings, based on their intentions, instinct, and intelligence.

– Luis Cortez

Luis Cortes went to school at Facultat de Belles Arts, Universitat de Barcelona (The Faculty of Fine Arts of the University of Barcelona) and was initially trained as a filmmaker. Throughout his career, he has made a living as a special effects maker for motion pictures and commercials. Eventually, the evolution of sculptures made with kinetic chains captured his mind. He devoted his focus to it as he became a full-time artist. Over the last ten years, he has applied polygons’ continuous lines and rigid elements to create various figures through endless detailed calculations of multiple pivot … Click here to read more

Lawrence Charles Miller

Artist Q&A with Lawrence Charles Miller

The human figure is the given in Lawrence Charles Miller’s visual equations. He creates pictures that imply their own fiction, making pictures within and about pictures. He is known for his sense of humor, which is often evident in his art. He has exhibited extensively across the United States, including exhibitions in New York City, Los Angeles, Seattle, as well as exhibition abroad in Wales, Tijuana, and San Paulo. His work is in the permanent collection of MOMA in New York City; MOMA in Wales, UK; MuBE, Sao Paulo; LACMA, Los Angeles; and Fluxus Museum in Texas.

“Oxendrawn #9”, graphite and electronic digital media on paper, 10 x 12 in | 25 x 30 cm, 2021

Who is your favorite artist of all time?

Leonardo DaVinci. On each viewing his drawings seem to draw themselves anew. This sensation of movement ends in a mighty stillness in his paintings. Here I sense a timelessness that gives them a contemporary attitude. To me it’s oddly American. I think of Warhol’s electric chairs. Hopper’s rooms. Pollack’s thickets of time.

How did you become a professional artist?

Well, I come from a working-class family in a gritty city. My mother’s family were Italian immigrants, and my father was Pennsylvania Dutch. It was either the steel mill or something else.

What are the influences and inspirations in your work?

My parents bought a set of encyclopedias. There was a section about painting in the P volume. My drawing habit switched from copying comics to copying the old masters. Later, libraries were crucial. My inspiration became modern art and poetry.

Lawrence Charles Miller, portrait by Peter Isaac Miller

How is your work different than everything else out there?

Recently, my work has become something else. It is different relative to … Click here to read more

Mark Kostabi

Artist Q&A with Mark Kostabi

Mark Kostabi is most known for his paintings of faceless figures which often comment on contemporary political, social and psychological issues, and which have visual stylistic roots in the work of Giorgio de Chirico and Fernand Léger.

Beyond traditional art world exposure, Kostabi has designed album covers for Guns N’ Roses (Use Your Illusion) and The Ramones (¡Adios Amigos!), Seether (Holding Onto Strings Better Left to Fray), Jimmy Scott (Holding Back The Years), Glint (Sound in Silence), RK: Roman Klun (Kingsway), Psychotica (Espina) and numerous products including a Swatch watch, Alessi vases, Rosenthal espresso cups, Ritzenhoff milk glasses, and a Giro d’Italia pink jersey. Kostabi is also known for his many collaborations with other artists including Enzo Cucchi, Arman, Howard Finster, Tadanori Yokoo, Enrico Baj, and Paul Kostabi.

“Ideas are Drips from a Melting Brain”, oil on canvas, oil on canvas, 47 x 47 in | 120 x 120 cm, 2021

Who is your favorite artist of all time?

That’s sort of like asking which city I prefer better: Rome or New York, where I have homes in both. I like each city equally but for different reasons. So the best I can do here is list some of my favorites: Caravaggio, Bernini, Picasso, Warhol, De Chirico, Hopper, Magritte, Dali’, Arman, Picabia and Duchamp.

How did you become a professional artist?

I had natural talent and a strong desire to draw at a young age. All the positive encouragement made it an easy career decision.

What are the influences and inspirations in your work?

Amanda Gorman’s poetry. The pandemic. New technology. And the concept of recycling and revisiting earlier works and ideas of mine and improving them.

How is your work different than everything else out there?

It’s the … Click here to read more

KwangHo Shin

Artist Q&A with KwangHo Shin

KwangHo Shin attempts to capture the complex relationship between the expression of emotion and the experience of the mind. With roots in Abstract Expressionism, he employs intense and vibrant oils juxtaposed with charcoal to distort the facial features of his subjects and confront them psychologically.

The artist deliberately refuses the depiction of precise form and proportion in an effort to transcend conventional representation and in turn confronts a more visceral type of portraiture. Faces are deconstructed but retain the power of expression as the artist reimagines them in a patchwork of carefully yet energetically applied strokes of color. Shin’s paintings convey the inner psychological processes of his subjects but also remind the viewer of the artist’s presence.

“[21p09] untitled”, oil on canvas, 21 x 16 in | 53 x 41 cm, 2021

Who is your favorite artist of all time?

My favorite artists include Lucian Freud, Francis Bacon, and Alberto Giacometti.

How did you become a professional artist?

Because I used to like making or drawing something, I went to an art high school and naturally went to an art school. By making works and posting them on social media after graduation, I was able to arrive at this point. I just did what I enjoyed doing.

What are the influences and inspirations in your work?

The images in my art are shaped through the emotions formed in conversation with the people around me, and the images and stories gathered through mass media such as the news.

How is your work different than everything else out there?

I mainly use primary colors, and the texture is very thick; therefore, I believe that my work permits multitude of emotions and feelings when seen in person.

When is a piece finished for you?

… Click here to read more

White Noise V

White Noise at WhiteBox

A skinny, disheveled Asian man spins on a pile of empty cans, screaming and waving his bare arms and legs while strangers throw more cans on him, producing a deafening noise. The man is Chin Chih Yang, a New York-based Taiwanese artist who is a familiar character at WhiteBox’s performative events. His act closes the second day of the fifth edition of White Noise, a series devoted to sound and multimedia visual performance art.

Organized by WhiteBox, an alternative art space currently located in Harlem, White Noise was first started in 2005 in the organization’s original gallery in Chelsea. Now it moves around the city and its latest installment has been taking place in the New York neighborhood of Bedford Stuyvesant, hosted in a 19th-century mansion made available by Georgian artist Eteri Chkadua who lives here with her brother Gotcha, also an artist.

For White Noise, the curator and artistic director Juan Puntes assembles a diverse group of international artists that create an engaging and unpredictable soireè. At these events, a musical performance can follow a video projection, a poetry reading can accompany a multimedia installation and an occasional dancer can make an appearance –an eclectic bunch with one common denominator, exploration and experimentation.

*White Noise V*. Matt Sullivan and Beatrice A. Martino.

On Saturday, October 16th a packed living room was the setting for a gripping succession of performances including videos by transmedia artist Eva Petrič, and a live reading and screening of a graphic novel by indie-rocker and social critic,Jeffrey Lewis. Throughout the night, Mr. Puntes made sure that the artists had a proper platform to present their work and that the audience had an opportunity to connect and engage with the artists and explore the hosting space. He was clearly in his natural habitat, … Click here to read more

Yuna Ogino

Through COVID cocoon, acclaimed Japanese artist Ogino brings a new perspective to NYC

“My painting is so to say an accumulation of questions about different elements, forming many layers.” – Yuna Ogino

Artist Yuna Ogino is one of the most acclaimed artists of the new generation of Japanese artists. By developing a distinctively striking style, her works have been presented in numerous solo and group exhibitions. Yuna Ogino (born 1982, Tokyo, Japan) lives and works in Tokyo. Besides traditional medium, the multi-talented artist has also expanded her boundaries beyond painting by expressing artistic value into textiles, books, and performances. Yuna’s innovative style has been awarded and praised in public collections and spaces. With inspirations from ikebana flower arrangements and Japanese gardens, she weaves lights and colors onto the blank canvas, bringing to life her thoughts and memories. If you have followed her work, you know her painting technique is full of joyful color and intriguing lines that represent both the strength and vulnerability of plants and insects. She turns metaphorical representation to maternal richness with a refined design that continues a gorgeous tradition of Japanese decorative society.

Installation view of Yuna Ogina’s “RELATE” . Courtesey of Mizuma & Kips.

But the COVID-19 imprisoning experience was turning Ogino to a new dimension and forcing her to see human struggle in the whole. The outbreak forced her stay at home life to become a central focus, with little emotional connection to allow her to see humanity and suffering without gender, age, and race. This newfound understanding of we (the whole world) are all suffering under the pandemic changed her palette and inspired her to produce figurative oil paintings in a 7-foot-high canvas. They are debuted at Mizuma & Kips Gallery (324 Grand Street, New York, NY, November 10^th – December 7^th, … Click here to read more

Kathleen Shaver

Artist Q&A with Kathleen Shaver

Kathleen Shaver is an abstract painter who studied at Moore College of Art & Design and the Pennsylvania Academy of the Fine Arts (PAFA) with teachers and mentors including Bill Richards, Chuck Fahlen, and Thomas Chimes. Her work has been included in a major survey of contemporary Philadelphia artists at the Philadelphia Museum of Art and in exhibits at PAFA, Woodmere Art Museum, the James A. Michener Art Museum, The State Museum of Pennsylvania, the Attleboro Arts Museum and Moore. In addition to the Rodger LaPelle Galleries and 3rd Street Gallery in Philadelphia, Shaver has exhibited in galleries located in Delaware, Maryland, New York, New Jersey, Washington D.C. and Texas. Her work is included in both private and corporate collections.

“Just Human”, oil on canvas, 56 x 48 in | 142 x 122 cm, 2021

Who is your favorite artist of all time?

That’s a tough question because time is speeding along and nothing remains the same. I remember seeing paintings by Goya and Velasquez in a book as a kid. I grew up loving the magic of Walt Disney movies. As an art student, Jasper Johns had a huge impact on me as did Eva Hesse, Robert Rauschenberg, George Segal, Marisol, Jim Dine, Joseph Cornell, and Lucas Samaras. The first time I saw works of Van Gogh in the flesh I was blown away by the physical presence of his paint. Today, I’d walk a mile to see work by Angel Ortiz, Rachel Jones, Rita Ackermann, or Daniel Crews Chubb. I feel that Willem de Kooning is in my bones so he must be my favorite.

How did you become a professional artist?

By overcoming a deep conflict. I started out in art college after high school. After figuring out I did not want to study … Click here to read more