Marcelle Murdock

Artist Q&A with Marcelle Murdock

“Sigil of Gemini”, oil on canvas, 30 x 40 in | 76 x 102 cm, 2010

Why did you become an artist?

I didn’t become an artist, I just never stopped creating. I was always drawing, painting and discovering new mediums as a kid, which continued through my teen years to this day. Whenever I can learn a new medium I continue to challenge myself and try new techniques. Painting for me was always my main medium and I would spend hours of my days and nights painting, which was not only enjoyable but also a form of therapy for myself and I simply never put the paintbrush down. Creating isn’t a hobby, it’s an absolute need whether it brings me somewhere in my life or if it’s just for myself personally.

How is your work different than everything else out there?

I feel there are two main aspects of how my work is different than a lot of work I see around. The first is that I have a background in photography and photoshop, so when I create a painting I’m also treating it the way I would a digital photograph with the type of lighting I paint and the way I view the full frame. The second is the main difference which is that I don’t base the work on myself nor do I base most of the aesthetic on my personal taste either, I try to completely match the painting techniques and imagery to the style of the person I am painting a portrait of.

Marcelle Murdock, portrait by Marie Nyquist

What’s different about your current body of work?

Each of my portraits are really to honor the style, aesthetic and energy of the subject I am painting. The ideas for each … Click here to read more

Lee Harvey Roswell

Artist Q&A with Lee Harvey Roswell

“Lil’ Piggy Goes to Market”, oil on wood, 14 x 11 in | 36 x 28 cm, 2020

Why did you become an artist?

Becoming an artist seems fated to me. I’d established an early propensity towards creative activities, most specifically drawing. By the time I was a young adult making a conscious decision to be an artist I had already developed my art into a habit. So, there was never a question of why am I doing this in this formative years. Since then I suppose I’ve asked myself the question, and given myself answers, but the answers never fully cover the matter. As therapy, as a skill set I can make a living off, and as a way of contributing to a better world are all fine reasons, but beyond all that, I feel that I create art because I was meant to create art.

How is your work different than everything out there?

Well, it’s certainly not an all-consuming matter being different. If an artist finds “their voice” they will inevitably be different from others. Sure, there’s a lot of living working artists in the world today, more than ever, but creative expression is so diverse really. I can say I have been working in my craft for a good many years and people have come to recognize each work as a Lee Harvey Roswell, speaking in terms of “the new Lee Harvey Roswell,” or “it was like something out of a Lee Harvey Roswell”. So, in that I am the only artist out there making authentic Lee Harvey Roswells.

What’s different about your current body of work?

The most obvious difference in my new work is thematic. I’d already been pushing a dark take on life, and now with the pandemic, unemployment, … Click here to read more

Patricia Abramovich

Artist Q&A with Patricia Abramovich

“Psifas 2”, oil on canvas, 31 x 39 in | 80 x 100 cm, 2009

Why did you become an artist?

I always have been creative. I loved to draw from just an early age, learned to play piano and guitar, and wrote poetry as a teenager. I began to paint again at the age of 40, and it was a became a sort of obsession where I painted every free minute I had. In 2009 I published some of my paintings on several art sites, and was invited to show at the Biennale in Florence soon after. I think that is the exact time I would say I became an artist.

How is your work different than everything out there?

“Patricia Abramovich presents colorful abstract paintings, with almost sculptural strokes of frenetic color forming the basis of the painting’s composition. The oil on canvas works are performed in spectacular colors that show great boldness, expressing the personal language developed by the artist over the years, a coloristic language with an identifying character and presence. In this completely abstract and well-constructed language, the paintings are made of strokes of color, placed in an intensive process using only a spatula on the canvas.”

–Daniella Talmor

I always search for different ways and new techniques, and always painting from my imagination. Sometimes I look at inspiring landscapes, whereas other times I just put color on the canvas or paper giving my hands total freedom. It almost feels as the painting appears by itself. The moment I look at the blank surface brings an exciting feeling, as my next creation is on its way. I need to be totally in the mood with nothing around me, only my painter knife or water moving the colors on the paper. It is only me and … Click here to read more

Jerry Kirk

Artist Q&A with Jerry Kirk

“A King, A Clown, and Businessman”, acrylic on wood, 36 x 60 in | 91 x 152 cm, 2019

Why did you become an artist?

It was never a question of why. I began making art the moment that I was old enough to hold a crayon in my hand and never had a thought to being anything but an artist. I’ve been making art and have been an artist my entire life.

How is your work different than everything out there?

My work is different because of the variety of styles and themes that I incorporate. Unlike most artists who find their niche or one style and stick to that I like to follow my muse wherever she leads. From neo-realistic landscapes to expressive figurative and narrative paintings my work is basically all over the place. To work in one style pursuing the same theme or genre over and over would bore me so I choose to do it all and by doing so, I believe, grow and evolve more as an artist. The media that I choose to work in is also a variety – from painting to drawing to digital. I also write poetry. My art is about expressing whatever my soul desires in any way that I can. I think that this sets me apart from other artists and makes my art different.

What’s different about your current body of work?

Lately I have been pursuing expressionistic land and streetscapes along with politically and socially themed narrative paintings. After 30 years of living in one place I recently moved to a different state and this new local is infusing my land and streetscape paintings with a different look and feel; more expressionism than realism. The current social … Click here to read more

Lily Qian

Artist Q&A with Lily Qian

Why did you become an artist?

I was fortunate to have had a bohemian childhood. At a young age, I was encouraged to draw, read, and take dance classes. I was born into an artist family: my father was the Dean of the oil painting department at Beijing University and my mother was a ballet dancer and an award-winning costume designer. My father told me he wanted me to be an artist because it’s something I will always have no matter what happens in life. I became interested in illustration, design, and children’s books because it’s about creating art for everyone.

What’s different about your current body of work?

I always begin a project with drawing by hand first. I have a diverse range and enjoy working with a variety of materials from ink, watercolor, charcoal, and digital. For a long time, I was interested in studying people through portraiture and figurative works. My current work is a departure from the figure and more about exploring ideas and storytelling.

What’s coming up for you?

When I’m not busy with an illustration assignment, I’m creating new work for my portfolio. My next goal is to write and illustrate children’s books. Currently, I’m working with Christian Dior Couture on special fashion illustration assignments. Since 2017, I’ve partnered with Others Trade for Hope to design and develop handmade textile goods to support a small group of female artisans and their families in Bangladesh. It’s important for me to give back, and find a place where my work would also inspire others to fuller and happier lives.

To learn more about Lily and her work, please visit www.lily-qian.com/illustration.… Click here to read more

Alex Cao

Artist Q&A with Alex G. Cao

Alex G. Cao “Immortal” installation view

How and why did you become an artist?

Coming from China to New York City in the 80s was a wonderful experience; a world of beauty and enchantment. While studying at Fashion Institute of Technology, I was fortunate to be surrounded by fashion and beauty while gaining experience working in a creative field. Through work, I was engaging with pop culture, glorifying beauty and a vibrating downtown NYC scene. I began to reflect on the use of logos and classic icons as markers of society, as recognizable as the Parthenon of Ancient Greece or the Roman Colosseum – perhaps even more recognizable.

I visited Naples and Pompeii just after graduating to discover these iconic ancient cities which have the most profound impact. Through my travels I was able to identify the iconic styles and architecture of classical Greco-Roman society. In these places I uncovered mosaics which lined city streets for centuries. I started to make art while engaging with these memories, recalling this trip to Pompeii and building the architecture of my artistic career on the memory of this experience. After spending time in the piazzas of Italy surrounded by these ancient art forms. It was these formative trips that continue to inspire me artistically.

Tell us about your new show “Immortal.” What is the meaning of it?

This new body of work in “Immortal” blends the pop culture imagery I always inspired and fascinating in with materials including plexiglass, canvas and stainless steel mirrors. The stainless steel mirror holds particular significance as it reflects and augments what you’re already witnessing; even projecting outward. The tension between the relationship of small repetitive images and the large final composition makes this work especially poignant.

These framed work are … Click here to read more

Melanie Comber

Artist Q&A with Melanie Comber

“Way Out 56”, oil and pigment on paper, 12 x 16 in | 31 x 41 cm, 2020

Why did you become an artist?

Making things and painting became a way for me to express myself from a very young age. I hated school and found it really difficult to follow the group. In art class, I discovered that I could express myself through a process of ‘making’. I could have a world that I created; a space that was solely mine to dictate. From there I just knew that this was the way that I wanted to face the world, and focused my education towards art school. It was a search for my own voice, my own language, and a way to project myself in the world that stood outside everyone else.

How is your work different than everything else out there?

I make paintings using traditional materials, but I don’t apply those materials in a traditional way. I use oil paint and loose pigments to create large three dimensional surfaces which have a very illusory appearance. They play between painting, sculpture, and photography. On first glance the viewer is never quite sure what exactly they are looking at. The most common question that I get asked about my work is, “how is it made?” I want the viewer to move around the work and I have been known to make work that changes colour from different directions. I want the viewer to work at having an experience with my painting, and want it to surprise you.

What’s different about your current body of work?

I spent the COVID-19 lockdown unable to access my studio space so I had to find a way to adapt my process. I began painting … Click here to read more