Artist Q&A with Paula Cahill

Paula Cahill is a contemporary American artist. She is known for her dark blue paintings composed with a single, continuous line reminiscent of the bioluminescent light that emanates from sea-life at deep, dark depths. Born in Detroit, Michigan, Paula relocated to the Northeast where she received merit and academic scholarships while pursuing an education in the arts. She holds an MFA from the Pennsylvania Academy of Fine Arts and a BFA from Tyler School of Art and Architecture. She also studied at the Art Students League of New York and Parsons School of Design as a transfer student.

“Awry”, oil on panel, 24 x 24 in | 61 x 61 cm, 2021

Who is your favorite artist of all time?

I have so many favorite artists, but if I could have one famous painting, it would be a van Gogh.

How did you become a professional artist?

I attended art school later in life. After graduation I spent several years experimenting with abstraction. In 2017, I created a body of work that I felt comfortable with and began to seek out opportunities to exhibit and offer my work to the public.

What are the influences and inspirations in your work?

Line.

Paula Cahill, self-portrait.

How is your work different than everything else out there?

My work is composed with a single line that changes color and often connects back to itself seamlessly. I’m sure it’s been done before, but I haven’t seen any paintings quite like the current work.

When is a piece finished for you?

When I’m satisfied with the composition and examined every inch of the surface to make sure that the edges are clean, the colors are right, and the paint application is correct. It’s a very labor intense process.

What’s different

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Artist Q&A with Richard Metz

“The Mythic Moth Menagerie the Orchard”, egg and natural pigments on tree, 120 x 55 in | 305 x 140 cm, 2018 (Park Hill Orchard, East Hampton, MA)

Why did you become an artist?

Being a visual artist grew in me slowly over time, but it was always the only path forward in my life. The process of making visual art is so satisfying and so all encompassing to me, that of course I wanted to keep doing it.

I also have a strong environmentalist side, and to some extent these have merged over the past 20 years. Being an artist now is how I explore nature and merge with the natural world. It is how I want to encourage others to explore and protect the public natural areas near them.

I have subtle visions of images, sometimes touching on a feeling from my past experiences that move me very much, and I feel so strongly that I want to portray them in my work. I have also been very moved by expressionist artists who have come before me including Chaïm Soutine, Jean Dubuffet, Phillip Guston, Susan Rothenberg, and Pierre Bonnard. Native American, African, and Polynesian art have also been influential to my work, as well as Illustrators Theodore Geisel, Franz Masreel, Lyn Ward, and Art Spiegelman.

How is your work different than everything else out there?

Some of my work is in more traditional formats, and some has struck some new ground. The tree paintings seem to be an original format that I came upon late in grad school. They are different in several ways; they are ephemeral

The works decay as life is born, lives, and dies. So much art work battles with nature, to be preserved for ever, and adds to … Click here to read more