Artist Q&A with Bobbie Moline-Kramer
Bobbie Moline-Kramer was born in Fort Madison, Iowa, in 1946, and is now based in California. She traces her interest in art to a course she took at a local community college with Conceptual art pioneer John Baldessari, and to assistant work she did with Allan Kaprow, the originator of “Happenings.” As a painter, Moline-Kramer has pioneered a unique fusion of hyperrealism and gestural abstraction; she has also worked in mixed media. Drawing on personal narrative alongside art-historical reference, she has produced several distinct series while maintaining a deliberate compositional heterogeneity. Moline-Kramer teaches oil painting and is an adjunct professor at California State University, Long Beach.
How did you become a professional artist?
Initially I became an artist because I was good at it, thus getting lots of praise from assorted adults. Then as I became older, I magically fell in love with both the concepts and the processes of making art. To this day, facing a blank surface still excites me with its unlimited possibilities.
What are the influences and inspirations in your work?
My latest series American Shunga celebrates both life and love. 2020’s lockdown was for me a time of paring the extemporaneous with a rediscovery of the essence of living…love. Of the importance of the combination of love and spirituality in trying to achieve the ultimate in love, a Greek/Christian concept called agape. Agape love is a selfless, sacrificial, unconditional love which I think I captured in a delicate piece that’s part Tales of Adjusted Desire online at Robert Berry Gallery.
How is your work different than everything else out there?
Since being an artist doesn’t pay the bills, … Click here to read more