Category: California

William Bradley

Artist Q&A with William Bradley

William Bradley graduated with a Masters degree from Wimbledon College of the University of the Arts London in 2008, selling out his end of year show. He has since been selected for FutureMap 08 and the Catlin Art prize 2009 and 2011 and Baker’s Dozen at Torrance Art Museum in 2020. His work is included in several major collections. He lives and works in Los Angeles.

“Wild, Wild Wood”, acrylic on canvas on board, 52.5 x 48 x 3.5 in | 133 x 122 x 9 cm, 2022

Who is your favorite artist of all time?

I’ll give you a different answer every time. There are however a few touchstones: John Hoyland, Hans Hofman, Howard Hogkin, and Sandra Blow. There was an incredible show of Eduardo Chillida at the Yorkshire Sculpture Park when I was a teenager–it’s stayed with me ever since. Then there is Matisse.

How did you become a professional artist?

When you’re consumed by something it can be difficult to resist; so it was always the plan. It’s my mum’s fault–she gave me the bug. Then throw in a couple of influential tutors and you’re pretty much screwed. I worked practically full time during my BA to save the money to move to London and continue my studies. My time in London working towards my MA in Painting was pivotal. It was challenging in so many ways and taught me that I was going to question what the fuck I’m doing everyday–several times a day, but like I said, difficult to resist. I was incredibly fortunate to sell out my degree show and meet a couple of key people who set me on the path, including me in UAL’s Future Map and then the Catlin Art Prize–Cheers Medeia and Justin!

What are the influences and inspirations

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Gena Milanesi

Artist Q&A with Gena Milanesi

Gena Milanesi is a self-taught painter whose work reflects a remastered reality through intense brushstrokes & movement. Her bold layers of paint function to achieve a distinct energy with oil, acrylic & other mixed mediums. As a dual-citizen of the United States and United Kingdom, she constantly retracts to her roots as a source of inspiration. Her work presents a simultaneous exploration of the contemporary that reoccurs showing concepts of newness & practices of the past. Her figurative works interpret various imagery using monochromatic hues to underscore juxtaposed content in a straightforward manner. As of 2020, Milanesi has been creating a series of abstract pieces with her continued stylized layers and mixed media.

 “The Second Portal”, oil, acrylic, spray paint, and graphite on canvas, 60 x 86 in | 152 x 218 cm, 2021

Who is your favorite artist of all time?

This is a difficult question. There’s simply too many. I’d have to say Van Gogh or Turner, if I could own one.

How did you become a professional artist?

I am self-taught, but I have been creating for as long as I can remember. Painting was always a fascination of mine, and a craft that consumed me. Art school was out of the question so I had to make this all work and keep learning through uncharted waters. Most of the time, you must start something without the answers and navigate the uncertainty. 

What are the influences and inspirations in your work?

Texture.

Gena Milanesi, portrait by Alanna Durkee.

How is your work different than everything else out there?

I don’t really take this into account. I strive to keep my work honest and evoke a reaction, good or bad, because I want the viewer to feel something. With these objectives as driving forces, … Click here to read more

Bobbie Moline-Kramer

Artist Q&A with Bobbie Moline-Kramer

Bobbie Moline-Kramer was born in Fort Madison, Iowa, in 1946, and is now based in California. She traces her interest in art to a course she took at a local community college with Conceptual art pioneer John Baldessari, and to assistant work she did with Allan Kaprow, the originator of “Happenings.” As a painter, Moline-Kramer has pioneered a unique fusion of hyperrealism and gestural abstraction; she has also worked in mixed media. Drawing on personal narrative alongside art-historical reference, she has produced several distinct series while maintaining a deliberate compositional heterogeneity. Moline-Kramer teaches oil painting and is an adjunct professor at California State University, Long Beach.

“American Shunga, Zen Sensual”, oil paint, colored gesso, graphite on handmade Japanese paper, 40 x 60 in | 102 x 152 cm, 2018

How did you become a professional artist?

 Initially I became an artist because I was good at it, thus getting lots of praise from assorted adults. Then as I became older, I magically fell in love with both the concepts and the processes of making art. To this day, facing a blank surface still excites me with its unlimited possibilities.

What are the influences and inspirations in your work?

My latest series American Shunga celebrates both life and love. 2020’s lockdown was for me a time of paring the extemporaneous with a rediscovery of the essence of living…love.  Of the importance of the combination of love and spirituality in trying to achieve the ultimate in love, a Greek/Christian concept called agape. Agape love is a selfless, sacrificial, unconditional love which I think I captured in a delicate piece that’s part Tales of Adjusted Desire online at Robert Berry Gallery.

Bobbie Moline-Kramer, photo by Tim Janssens.

How is your work different than everything else out there?

Since being an artist doesn’t pay the bills, … Click here to read more